TITLE | TYPE | DATE CREATED | DATE ISSUED | SUBJECT |
---|---|---|---|---|
Hélène Cixous: The Effect of Freud and Lacan on Écriture Féminine | Digital Document | 2013-12-12, 2013-12-12T21:58:21Z | Adrienne Rich, Alice Echols, Ann R. Jones, Cindy Sherman, Electra, Georgia O'Keefe, Hélène Cixous, Jacques Derrida, Jacques Lacan, Judy Chicago, Julia Kristeva, Linda Alcoff, Mary Beth Edelson, Mary Daly, Michael Billig, Miriam Shapiro, Oedipus, Other, Self, Sigmund Freud, Terry Eagleton, Wangechi Mutu, dual sexuality, essentialism, female associated motifs, feminism, feminist artists, metaphor, metonymy, psychosexual growth, sexuality, Écriture Féminine | |
Motherhood in a Digital Age of the Self | Digital Document | 2016-06-07, 2016-06-07T16:57:02Z | Anthony Giddens, Benjamin Spock, Dr., Julia Kristeva, Leonardo da Vinci, Mommy Blogs, Nancy Potishman Weiss, Ronna Goffen, Wayne E. Franits, competitive mothering, sharenting | |
Object & Objectification: Advertising Angles for the Gender Specific | Digital Document | 2012-07-09, 2012-07-09T17:33:48Z | Anthony Joseph Paul Cortese, BMW advertising, Herbert Marcuse, John Berger, Julia Kristeva, Lynda Nead, Powers of Horror, Provocateur: Images of Women and Minorities in Advertising, abject, cultural standards of feminine beauty, dismembering female form, female nude, feminist ethical theories, fragmenting female form, hyper-sexualized human form, misogynist message, objectification, pornographic imagery, subliminal hierarchy of subjects | |
A Case for Abject Bodies | Digital Document | 2013-01-04, 2013-01-04T22:08:04Z | Abject Strangers: Toward an Ethics of Respect, Chaim Soutine, Envisioning the Body in Relation: Finding Sex, Changing Sex, Eric Plemons, Francis Bacon, Fulcrum, Helaine Posner, Jacques Lacan, Jenny Saville, Julia Kristeva, Kiki Smith, Leesa Fanning, Matrix, Noelle McAfee, Passage, Pee Body, Plan, Rubens Flap, Pause 2, Powers of Horror, Reverse, Richard Rorty, Willem de Kooning's Women: The Body of the Grotesque, abject body, subject/object dichotomy | |
An Abject Response to the Netflix Advertisement, "Netflix Employees React to that Scene from 'Gerald's Game'" | Digital Document | 2018-02-02, 2018-02-02T16:27:53Z | Facebook, Fine Brothers Entertainment, Gerald's Game, Google Trends, Jacques Lacan, Julia Kristeva, Know Your Meme, Netflix, Powers of Horror; An Essay on Abjection, REACT Channel, YouTube, abjection, advertising, advertising algorithm, media manipulation, mirror neurons, object, object of desire, reaction videos, subject, video mashups | |
Function of the Artist in Contemporary Society | Digital Document | 2012-07-09, 2012-07-09T18:02:59Z | Cindy Sherman, Destruction of the Father, Femme Maison, Helen Chadwick, Jacques Derrida, Julia Kristeva, Knife Woman, Loop My Loop, Louise Bourgeois, Meat Abstracts, Michel Foucault, Postmodernism, Powers of Horror, Richard Rorty, Sex Pictures series, Therese Lichtenstein, abjection, corporeality, feminism, identity, un-objectivity | |
Ethics of Biotechnology and the Art of Patricia Piccinini | Digital Document | 2014-05-08, 2014-05-08T18:58:16Z | Biotechnology, Donna Haraway, Julia Kristeva, Laura Fernandez Orgaz, Michael W. Fox, PhD, Noël Carroll, Patricia Piccinini, Scott Pilch, Simon Blackburn, abject human body, abject repulsion, aestheticism, anthropomorphic forms, autonomism, bioethics, corpse, embryonic stem cell research, experimental biotechnology, genetic alteration, genetic engineering, genetic manipulation, human-animal hybrid, hybridization, moralism, techno-immortality | |
Finding Symbols and Signs: Losing Use-Values and Referents | Digital Document | 2016-05-25, 2016-05-25T18:32:58Z | Jean Baudrillard, Julia Kristeva, Karl Marx, Michel Foucault, autonomous sign, commodity, episteme, exchange value, object, reference, referent, semiotic structure, signified, signifier, use-value |