TITLE | TYPE | DATE CREATED | DATE ISSUED | SUBJECT |
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The Deconstruction of Chief Blackhawk: A Critical Analysis of Mascots & the Visual Rhetoric of the Indian | Digital Document | 2020-12, 2021-08-11T14:51:02Z | Critical Theory, Indian, Indigenous Methodologies, Mascots, Native American, Postcolonialism, Postmodernism, Poststructuralism, Semiotics, Social Justice, Stereotypes, Visual Rhetoric | |
Collapse and Recovery: Failure as Curatorial Strategy in dOCUMENTA (13) | Digital Document | 2018-05, 2020-07-23T20:32:52Z | ||
DNA as a Super-icon and Advertising Image | Digital Document | 2019, 2020-08-14T16:20:34Z | ||
THE IMAGERY OF SUE COE: MAKING VISIBLE THE INVISIBLE THROUGH LINES OF OPPRESSION | Digital Document | 2020-05, 2021-07-14T18:32:55Z | ||
Kelley Elzinga Thesis Proposal "Cultural Impact of Gender Fluid Imagery in Cosmetics Advertising" Spring 2017 | Digital Document | 2017-05-18, 2017-05-18T17:55:38Z | "doing" gender, Anastasia Beverly Hills, Diane Ponterotto, Eric Zhang, Instagram, Judith Butler, Laura Mulvey, Partrick Starrr, Simone de Beauvoir, Social Media, Sylvia Sleigh, Western gender assumptions, beauty guru, cosmetics advertising, drag celebrity fashion, exaggerated performance, fluid gender boundaries, fluid gender definitions, gender fluidity, gender studies, hetero-normative fashion ideals, male cosmetics, performance, transsexuality, ultra-feminine | |
Life, Death, and Television: Deconstructing the Small Screen with Danny Brown | Digital Document | 2018-12, 2020-08-14T14:50:02Z | ||
The New Super Woman: The Representation of Female Bodybuilding in Mass Media, 1986 – 1990 | Digital Document | 2018-05, 2020-01-24T15:42:33Z | ||
Emily Merrill MAVCS Thesis "In-Between Spaces: 'Detroit Disassembled' and the Other Side of Capitalism" | Digital Document | 2017-09-06, 2017-09-06T14:32:50Z | Albert Kahn, Andrew Emil Gansky, Andrew Gansky, Andrew Moore, Bauhaus, Brent D. Ryan, Camilo Vegara, Daniel Campo, David Harvey, Detroit Disassembled, Dora Apel, Edward W. Soja, F. W. Taylor, Fernando Palazuelo, Fordism era, Former Splatball City paintball arena Packard Motor Car Company plant, Francis Fukuyama, Frank Sedlar, George Galster, George Nelson, Gloria House, Great Recession, Henri Lefebvre, Henry Ford, James Griffioen, Jean Baudrillard, Jeremy Bentham, Jerry Herron, Julian Stallanbrass, Julius Kahn, Karl Marx, Kerstin Barndt, Kevin Hetherington, Keynesian, Marshall Berman, Michel Foucault, Michel de Certeau, Mikhail Bakhtin, Miles Orvell, Nancy Fraser, Packard Motor Car Company Plant, Randy Martin, Seth Schindler, Shannon Dwady, Tim Edensor, Walter Benjamin, capitalism, commodity fetishism, conceived space, counterspace, division of function and form, entropic time, financial crisis of 2008, industrial capitalism, industrial ruination, industrial space, metamorphic time, modernist architecture, oligopoly capitalism, ontological identity, panopticon, perceived space, perceived space of being, politic of space, post use-values, post-American, post-Fordism, post-consumptive conditions, post-productive state, representation of space, ruin imagery, ruin porn, spatial practices, third space of knowledge, time-space displacement | |
Thesis Project | Collection | |||
RE-CREATING THE SUBLIME EXPERIENCE: AN ANALYSIS OF CONTEMPORARY ART USING POSTMODERN IDEAS OF THE SUBLIME | Digital Document | 2020-05, 2021-07-14T18:04:54Z | Edmund Burke, Immanuel Kant, Jean-François Lyotard, Mariele Neudecker, Matthew Albanese, Olafur Eliasson, Sublime, Tsang Lap-Chuen, contemporary art, nature | |
From Self-Portraits to Selfies: Gender Performance in Artemisia Gentileschi’s Self-Portrait as a Lute Player and Amalia Ulman’s Excellences & Perfections | Digital Document | 2023 | ||
THE EQUESTRIAN CONFEDERATE MONUMENT: A CRITICAL ANALYSIS OF THE VISUAL REPRESENTATION OF THE LOST CAUSE AND WHITE SUPREMACY | Digital Document | 2022 | ||
Emily Merrill Thesis Proposal "In Between Spaces: 'Detroit Disassembled' and the Other Side of Capitalism" Spring 2017 | Digital Document | 2017-05-04, 2017-05-04T16:50:33Z | Andrew Moore, Detroit Disassembled, Detropia, Dora Apel, Edward W. Soja, Henri Lefebvre, James Griffioen, Jason Sperb, Packard Motor Car Company Plant, Splatball City, Thomas Morton, abstract space, aestheticizing disaster, capitalism, encoded meaning in modern spaces, future functional spaces, industrial ruination, integrated critical theoretical approach, photographic anthology, postindustrial, revitalized urban space, ruin aesthetics, ruin imagery, ruin porn, social-spatiality, spatial practices, symbolism embedded in materiality | |
REMODELING AN AMERICAN CULTURAL INSTITUTION: A CRITIQUE OF THE DECOLONIZATION OF THE MUSEUM OF MODERN ART | Digital Document | 2020-05, 2021-07-14T18:14:06Z | accessibility, decolonization, inclusivity, institutional critique, intersectionality, museology, narrative, representation | |
MIRRORS OF MADNESS: A SEMIOTIC ANALYSIS OF PSYCHIATRIC PHOTOGRAPHY | Digital Document | 2019-03, 2020-08-12T15:26:44Z | ||
“This Is America”: A Cultural Critique on Black Subjectivity in Performance, the Role of Surveillance, and Witnessing Black Victimization | Digital Document | 2020-05, 2021-07-14T18:40:12Z | Otherness, black masculinity, black performance, black subjectivity, critical race theory, critical social theory, cultural critique, gun violence, hip-hop, intersectionality, minstrelsy, surveillance, white gaze, witnessing | |
REPRESENTING MENTAL DISABILITY: (IN)VISIBILITY IN THE ART OF LAURA SPLAN AND BEVERLY FISHMAN | Digital Document | 2019-08, 2020-08-12T14:50:13Z |