February 12, 2022
| TITLE | TYPE | DATE CREATED | DATE ISSUED | SUBJECT |
|---|---|---|---|---|
| “This Is America”: A Cultural Critique on Black Subjectivity in Performance, the Role of Surveillance, and Witnessing Black Victimization | Digital Document | 2020-05, 2020-05 | black masculinity, cultural critique, Otherness, intersectionality, surveillance, white gaze, minstrelsy, critical social theory, critical race theory, black subjectivity, hip-hop, gun violence, witnessing, black performance | |
| Collapse and Recovery: Failure as Curatorial Strategy in dOCUMENTA (13) | Digital Document | |||
| DNA as a Super-icon and Advertising Image | Digital Document | 2019, 2019 | ||
| Emily Merrill MAVCS Thesis "In-Between Spaces: 'Detroit Disassembled' and the Other Side of Capitalism" | Digital Document | 2017-09-06, 2017-09-06 | Detroit Disassembled, Henri Lefebvre, Edward W. Soja, ruin porn, James Griffioen, Andrew Moore, Dora Apel, capitalism, Packard Motor Car Company Plant, spatial practices, ruin imagery, industrial ruination, Packard Motor Car Company Plant, Former Splatball City paintball arena Packard Motor Car Company plant, financial crisis of 2008, Jerry Herron, post-American, Andrew Emil Gansky, perceived space of being, industrial space, perceived space, representation of space, conceived space, Fordism era, division of function and form, post use-values, post-consumptive conditions, Henry Ford, industrial capitalism, Francis Fukuyama, Karl Marx, David Harvey, Randy Martin, F. W. Taylor, George Galster, oligopoly capitalism, Albert Kahn, Julius Kahn, Albert Kahn, Frank Sedlar, George Nelson, Bauhaus, Brent D. Ryan, Daniel Campo, Fernando Palazuelo, Jerry Herron, Kerstin Barndt, Camilo Vegara, Great Recession, counterspace, third space of knowledge, Andrew Gansky, Miles Orvell, Michel de Certeau, David Harvey, time-space displacement, Keynesian, entropic time, Tim Edensor, Marshall Berman, Jean Baudrillard, Gloria House, Seth Schindler, politic of space, modernist architecture, Kevin Hetherington, commodity fetishism, Julian Stallanbrass, Michel Foucault, panopticon, Jeremy Bentham, Nancy Fraser, ontological identity, Mikhail Bakhtin, metamorphic time, post-Fordism, post-productive state, Walter Benjamin, Shannon Dwady, ruin imagery | |
| Emily Merrill Thesis Proposal "In Between Spaces: 'Detroit Disassembled' and the Other Side of Capitalism" Spring 2017 | Digital Document | 2017-05-04, 2017-05-04 | Detroit Disassembled, Henri Lefebvre, Edward W. Soja, ruin porn, James Griffioen, Jason Sperb, Andrew Moore, industrial ruination, Splatball City, Packard Motor Car Company Plant, Detropia, Dora Apel, aestheticizing disaster, Thomas Morton, ruin imagery, encoded meaning in modern spaces, photographic anthology, integrated critical theoretical approach, ruin aesthetics, postindustrial, future functional spaces, revitalized urban space, abstract space, spatial practices, social-spatiality, symbolism embedded in materiality, capitalism | |
| From Self-Portraits to Selfies: Gender Performance in Artemisia Gentileschi’s Self-Portrait as a Lute Player and Amalia Ulman’s Excellences & Perfections | Digital Document | 2023 | ||
| Kelley Elzinga Thesis Proposal "Cultural Impact of Gender Fluid Imagery in Cosmetics Advertising" Spring 2017 | Digital Document | 2017-05-18, 2017-05-18 | cosmetics advertising, Judith Butler, Anastasia Beverly Hills, Partrick Starrr, gender fluidity, exaggerated performance, beauty guru, Western gender assumptions, fluid gender definitions, hetero-normative fashion ideals, Instagram, Social Media, fluid gender boundaries, performance, gender studies, transsexuality, "doing" gender, Simone de Beauvoir, Eric Zhang, Laura Mulvey, Diane Ponterotto, Sylvia Sleigh, male cosmetics, drag celebrity fashion, ultra-feminine | |
| Life, Death, and Television: Deconstructing the Small Screen with Danny Brown | Digital Document | 2018-12, 2018-12 | ||
| MIRRORS OF MADNESS: A SEMIOTIC ANALYSIS OF PSYCHIATRIC PHOTOGRAPHY | Digital Document | 2019-03, 2019-03 | ||
| RE-CREATING THE SUBLIME EXPERIENCE: AN ANALYSIS OF CONTEMPORARY ART USING POSTMODERN IDEAS OF THE SUBLIME | Digital Document | 2020-05, 2020-05 | Sublime, nature, contemporary art, Edmund Burke, Immanuel Kant, Jean-François Lyotard, Tsang Lap-Chuen, Matthew Albanese, Olafur Eliasson, Mariele Neudecker | |
| REMODELING AN AMERICAN CULTURAL INSTITUTION: A CRITIQUE OF THE DECOLONIZATION OF THE MUSEUM OF MODERN ART | Digital Document | 2020-05, 2020-05 | representation, inclusivity, accessibility, decolonization, institutional critique, museology, intersectionality, narrative | |
| REPRESENTING MENTAL DISABILITY: (IN)VISIBILITY IN THE ART OF LAURA SPLAN AND BEVERLY FISHMAN | Digital Document | 2019-08, 2019-08 | ||
| The Deconstruction of Chief Blackhawk: A Critical Analysis of Mascots & the Visual Rhetoric of the Indian | Digital Document | 2020-12, 2020-12 | Mascots, Indian, Native American, Indigenous Methodologies, Postcolonialism, Poststructuralism, Postmodernism, Critical Theory, Semiotics, Visual Rhetoric, Stereotypes, Social Justice | |
| THE EQUESTRIAN CONFEDERATE MONUMENT: A CRITICAL ANALYSIS OF THE VISUAL REPRESENTATION OF THE LOST CAUSE AND WHITE SUPREMACY | Digital Document | 2022 | ||
| THE IMAGERY OF SUE COE: MAKING VISIBLE THE INVISIBLE THROUGH LINES OF OPPRESSION | Digital Document | 2020-05, 2020-05 | ||
| The New Super Woman: The Representation of Female Bodybuilding in Mass Media, 1986 – 1990 | Digital Document | 2018-05, 2018-05 | ||
| Thesis Project | Collection |